Subject: Re: Copyright request?!? Path: lobby!newstf02.news.aol.com!portc04.blue.aol.com!newsfeed.mathworks.com!cyclone.swbell.net!typhoon01.swbell.net.POSTED!not-for-mail Message-ID: <37673D35.6066FD75@swbell.net> From: Rubywand Reply-To: rubywand@swbell.net X-Mailer: Mozilla 4.6 [en] (Win95; U) X-Accept-Language: en MIME-Version: 1.0 Newsgroups: comp.sys.apple2,comp.emulators.apple2 References: <199906071256.MAA08907@berlin.neuropa.net> <37629E8E.A11319F6@earthlink.net> <37645d24.2216771@news> <376690FF.E1B36D43@swbell.net> <7k6ef3$qq7@journal.concentric.net> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Lines: 111 Date: Wed, 16 Jun 1999 00:59:17 -0500 NNTP-Posting-Host: 207.193.9.83 X-Complaints-To: abuse@swbell.net X-Trace: typhoon01.swbell.net 929512507 207.193.9.83 (Tue, 15 Jun 1999 22:55:07 PDT) NNTP-Posting-Date: Tue, 15 Jun 1999 22:55:07 PDT Organization: SBC Internet Services Xref: lobby comp.sys.apple2:83870 comp.emulators.apple2:17595 Cameron Kaiser writes ... > > Rubywand writes: > > > Theft is, certainly, theft. Duplicating copyrighted pics from a magazine > >for your Science class and downloading ancient Apple II software is not theft. > >Indeed, in both cases, it is easy to show that the copyright owner benefits. > > The benefit done for/on behalf of the owner makes no difference. The theft > of an antique vase may benefit the owner in the insurance he might receive. It > still is theft. > Stealing a vase or the Mona Lisa or an original Ultima I is theft. None of the above legally resembles mere copyright infringement. Copyright infringement happens millions of times every day. If, in the view of the copyright holder, some infringement negatively impacts chances for monetary benefit from the owned product, the copyright holder can have the infringement stopped and, even, seek damages. Society's rationale for offering limited protection for creator rights is essentially self serving and practical: If you want people to create useful stuff, you need to arrange things so that creators can obtain a monetary payoff. So, it would be an error to imagine that society's sole interest is protection of creator rights. Indeed, it is the _intent_ of copyright law that infringement be possible and _not_ be treated as per se an illegal act. This is society's mechanism for, eventually, releasing "don't care" creative products into the public domain. Copyright law seeks to balance protection of copy rights with the benefits of wide, easy availability of creative products. It says: "You have exclusive rights and a shot at making a pile of money. If you feel that some infringement of your exclusive rights gets in the way of making money from your product, let us know and we'll squish the offender." It is up to _you_ to take enough of an interest in your product to, at least, notice when your sales plummet because someone is dumping copies at half your price. And, when you notice, it is up to you to activate the enforcement mechanism. The payoff is ending the infringement and, possibly, recovering losses plus something extra. Granted, copyright law does not require that you suffer real or potential monetary loss in order to obtain the ending of infringement. However, protection of commercial benefits is the law's primary concern. > > Some respected members of the Apple II community may honestly believe old > >software can not legally or rightly be made available for free downloading. > >They are mistaken and should review the facts. > > They are quite correct. Obviously, with regard to legality, they are incorrect. However desperately they may wish the law agree with their position, it is a silly waste of time and effort to insist upon maintaining the position in the face of hard, repeatedly demonstrated reality which says they are flatly wrong. > > I don't disagree with your basic premise: yes, a lot of this software will > appreciate in value and maintain its worth with a healthy userbase, and it > is certainly true that hardly any of them have any reasonable income potential > without that. Indeed, their income potential may increase. But it's still > piracy unless the copyright owner consents. Fortunately, copyright law is more practical. It labels the taking of liberties with a copyrighted product as "infringement" and says that the copyright holder can choose to end or not end the infringement. It also permits the copyright holder to acquire any monetary benefits the infringer may have obtained. > In the Commodore world, though, > we've discovered that many of the copyright owners encourage the distribution > of their old titles, and have even made them available for download from their > own web pages. (Beam Software/Melbourne House is one shining example.) They > realise this premise, and reap the benefits in customer goodwill and the PR > and publicity that may allow their current offerings to sell better. .... "Get permission first"? in the "Commodore world"??? If this is meant to characterize the normal way of doing things there, you are mistaken. I've surfed any number of C-64 sites which offer hundreds of titles for free download for which there is no prior permission. Often, somewhere, the site will present a disclaimer to the effect "if a copyright owner objects, the item will be removed from our listing". Occasionally, you will find a C-64 or other download site which offers a disclaimer which says something like "only for purposes of backing up or replacing owned originals". Ethically speaking, such a statement is mere trickery. If offering an item damages the copyright owner, it is wrong to offer it. Legally speaking, such a disclaimer is useless. Offering the software for public download without prior approval of the copyright owner is infringement. The correct stance is to directly or tacitly admit the infringement and make every reasonable effort to benefit or, at least, not damage any copyright holder. And, damage or not, should a copyright owner request that an item be removed, it should be removed. Regarding the instances of C-64 user cooperation with software publishers, you are talking about copyright holders actively engaged and interested in promoting their products for sale. You have exactly the same situation here with products such as Spectrum. Indeed, Apple II users and archives go beyond the letter of the law with regard to creator rights. Rubywand